I hoard ideas that interest me for reasons which may be elusive, like a face that seems familiar but which I can't quite place. My practice is an exploration of these ideas.

My work frequently occupies a fluid territory between abstract/conceptual and representational, and I am interested in testing the boundaries between the second and third dimensions. My work tends to be driven by concept rather than process, yet my practice embraces all for the synergy.

There are certain recurring themes in my work: I often reference the symbolism of art from history and the vernacular of religious metaphor, seeking and making analogies with the visual syntax of contemporary culture, low culture in particular.

My practice is taking me to exciting new places, and I see progression itself as a fundamental. Above all I allow myself the room to experiment.