George Morris’ practice considers the built environment, digital aesthetics and related representational issues. His work has recently focused upon the proliferation of non-physical, networked data space in relation to an increase in banal ‘non-place’, physical urban environments. Morris continues to explore the impact that this phenomenon may be having on areas such as memory, place and sociability - considering ‘data space’ as primarily a site of economic as opposed to social exchange.

A recurrent theme throughout his work has been the art historical and philosophical notion of the sublime and its inverted re-emergence alongside the data landscapes of the 21st century. He works with a variety of media including video, photography, sculpture, installation, constructed print and drawing.