Bianca Runge [Naarden 1967] cuts holes in reality. She works photos from existing photography books and magazines by taking the subject out of them. Pin-ups lose their skin but expose themselves. Nakedness is nowhere to be seen and yet a feeling of seduction remains. By placing layer upon layer of pages with the subject remove, peepholes to the following page come to exist. Fish and landscapes are treated in the same manner. Where the eye thinks it has found something to hold on to a view is given to the next layer. Surprising and associative connections are created in this way.