A continual dialogue of form and texture, tone and rhythm, I continue to seek a personal resolution, a natural but resting dialogue between myself and the viewer. Perhaps like a sculpture that is standing naked and listening to the audience as they walk around,voyeurisitic perhaps?. By exhibiting my first live and unfurling work Ivan "Unframed" ,(January 2011 Birdwood House, Totnes), the context of the gallery wrapped with the viewer, made the exhibition more vivid, being an experience for both of us.

My practice is about memories of places, people and events; about everyday life and how an emotion can be transcribed into a visual narrative. Through drawing, collages and photography I isolate incidents, re-conveying them as a story. I take photographs incessantly and then carefully and systematically wade through them to find those that can be used as a stage setting to bring back moments, that conjure up drama's about relationships.

my primary interest lies in the processes of painting; my love for the materials, their techniques and the resulting surfaces. I find inspiration in the colour, texture and malleability of paint using a range of tools from syringes to piping bags to exploit the behaviour of paint and explore the relationships it create. the works incorporate my interest in the seductive nature of surface.

The picture is drawn and the mind control.
It is an acrylic painting chiefly and an oil painting.

The artist as 'booster' and the booster as 'artist'
No hay creación sin experimentación ni experimentación sin riesgo