Since 2000, appropriation becomes a typical of Asmudjo’s work. He creates allusions to and remakes many existing artworks. Super Olympia is an immediate example of his earlier appropriation. Through the piece of work, he takes over Morimura’s Futago with seamless insertion of his own visage. Unlike Morimura, Asmudjo doesn’t insistent to be the only human in the scene of his work. He inserts his fellow’s visage and shoes as well. read more »