When Victoria Lu curated "Fiction.Love" in 2004 at MoCA Taipei, she become aware of a new trend in aesthetics, and in 2006,when she curated a new version of Fiction@Love at MoCA Shanghai she coined a term to describe this new trend: Animamix, combining"animation" and "comics.".

•    All the various and abundant forms of Animamix in popular culture are centered on the worship of youth and the pursuit of an idealized youthful beauty.

•     The bizarre and ever-changing narrative texts in Animamix artimbue the images with a strong narrative character, which themselves form a visual language.

•     The colorful lights derived from the electronic media create a totally new and unique visual experience of art with colored lights..

•     Animamix involves the use of great human, material and financial resources interacting and cooperating across different sectors.

The Animamix artists of the 21st century are not just the people who are engaged in creating animation and comics products; rather,Animamix artists are found in all the fields of the creative industry. Unlike the pop artists of the previous century who simplyappropriated visual symbols from comics and animation, 21^st century Animamix artists are a new generation of Neo-Aestheticswho are already completely submersed in the aesthetics of Animamix. Themultifarious styles of Animamix art actually are the very archetype of artistic creation. In other words, Animamix art has become the most important source of inspiration for the global art scene in the 21stcentury.
Looking back at modern art, which only emerged at the end of the 19th century, it developed at the beginning of the last century entirely in the abstract style. Even in modern literary works, where language forms the main narrative, deconstruction of words frequently occurredplaying around with semantics or abstract deconstructionswhich made it difficult for readers to quickly grasp the meaning. In the digitized environment of the 21st century, literarynarrative has changed, becoming more diverse and more interesting. More and more information is being transmitted via pictorial languageto convey and communicate ideas. The anthropomorphic charactersfound in cartoons, animation and comics, coupled with the narrative of the story line, together become an exaggerated form of distortions,which will become the new mainstream characterizing visual aestheticsin this century just as abstract art led the way in the aesthetics of the 20th century.

Animamix art does not refer simply to animation or comicsalone. Its derivative products are so abundant in variety and large in number, extending even to items related to people's livelihoods and to food, clothing, home and transport, that almost nothing is excluded. The value of the output of the Animamix industry is not just in the artworks themselves, but rather in the totality of the combined or multiplying cultural forces of an era. The production and marketingof Animamix art will become a most important link in the creative industry worldwide. This type of artistic creation is in perfect harmony with popular culture; in this new era, the division between high art and low art no longer exists.

This new type of art records in the virtual world the creative forces of our  lives and saves them in the fourth dimension of theelectronic and digital worlds.  The inaugural Animamix Biennial was staged at MoCA Shanghai in 2007. This year, the Animamix Biennial is expanding to four venues. It will open at the end of 2009 and continue into 2010, staging at MoCATaipei, MoCA Shanghai, Today's Art Museum in Beijing, and Guangdong Art Museum in Guangzhou.

Animamix Biennial 2009-2010 is the first major cross-straitsinternational Biennial jointly hosted by four museums. It consists offourdifferent exhibitions with a book, Animamix: The New Aesthetics of the 21^st Century,will be published jointly by the four museums.
   
Venues:
Museum of Contemporary Art, Shanghai
December 12, 2009 - January 31, 2010
 
Visual Attract & Attack - Animamix Biennial
Museum of Contemporary Art, Taipei
December 6, 2009 - January 31, 2010
 
Enliven- In Between Realities and Fiction -Animamix Biennial
Today's Art Museum, Beijing
December 27, 2009 - January 10, 2010
 
Dazzled and Enchanted - New Age Animamix
Guangdong Art Museum, Guangzhou
January 21, 2010 - February 28, 2010
  
Artistic Director:
Victoria Lu
 
Curators:
Shanghai: PAN Qing
Taipei: Maple LIN Yuchieh
Beijing: LIU Chunfeng
Guangzhou: HUANG Yun, ZHANG Jiaping
Assistant Curator of MoCA Shanghai Exhibition:
Ivy Zhou
 
 
Invited Artists of MoCA Shanghai Exhibition:
More than one hundred artists from twenty countries attend this Exhibition:
 3P=3Players (LI Hong, WANG Mei, XIE Rong / China); Aiko (Japan); Ame72 (Israel); Aurele (France); BAI Dongliang (China); Aya BENRON(Israel); Patrick BERGERON (Canada); Micah BLOOM (USA) ; BU Hua (China); CAO Hao (China); Gary CARSLEY (Australia); David CHAN (Singapore); CHENG Cheng (China); Emily CHENG (USA); CHOI Sang-ah (Korea); Lital Lev COHEN (Israel) ; Martha COLBURN (USA) ; DAI Chao (China) ; Janice DEVALI (The Netherlands); DONG Junwei (China) ; DU Xi (China) ; FENG Ling (China); Arye GEIMAN (Israel);Mapi GIL (Spain) ; GU Tingting (China) ; GUO Dian (China) ; HAN Yajuan (China); Trenton Doyle HANCOCK (USA); HONG Shaopei (Taiwan); IM Ji-Bin (Korea); JIN Shan (China); Jitti JUMNIANWAI (Thailand); Showichi KANEDA (Japan); Zack KELLER (USA); Yuree KENSAKU (Thailand); KIM Bo Min (Koera); KIM Sung Ho (Korea); Hiroto KITAGAWA (Japan); Matthew KLUBER (USA); Shay KUN (Israel); Sandra KUNZ (Switzerland); KWON Kisoo (Korea); Jun T. LAI (Taiwan/China); LAI Shichao (Taiwan/China); LEE Dongi (Korea); LEE Yeunmi (Korea); LI Shuguang (China); LI Wenqiang + ZHANG Wei (China); LIANG Binbin (China); LIAO YuAn (Taiwan/China); LIN JinHong (Taiwan/China); Tess LIN (Taiwan/China); LIU Yi (China); LIU Zhiyin (China); Nathaniel LORD (USA) ; LU Tingting (China); LU Yaowei (Taiwan/China) ; Paula MATALLANA (Colombia); Hiroyuki MATSUURA(Japan); MIAO Xiaochun (China); Jean-Luc MOERMAN (Belgium); Megumi MORIMOTO (Japan); Ikumi NAGASAWA (Japan); Chiharu NISHIZAWA (Japan) ; Nail O'CONNER (Australia) ; Shinjiro OKAMOTO (Japan); Oscar OIWA (Brazil); James PATERSON (Canada); :Phunk (Alvin TAN, Melvin CHEE, Jackson TAN, William CHAN / Singapore); QU Weiwei (China); Porntaweesak RIMSAKUL (Thailand); Francesc RUIZ (Spain); RYU Ho-Yeol (Korea); Ai RYUMON (Japan); SEO (Korea); SHEN Chaofang (China); Angelika SHER (Israel); SUN Xun (China); TAO Na (China); Magali de TORRES (Argentina) ; Venture 3D (USA); Elio VARUNA (Italy); WANG Dawei (China); WANG Mian (China); WANG Peng (China); Nano WARSONO (Indonesia) ; Osamu WATANABE (Japan) ; WEE Young Il (Korea) ; WENG Jingyao (Taiwan/China) ; John WONG (USA) ; WU Xiaohai (China) ; XIANG Yi (China) ; XIAO Gu (China) ; XU Jia (China) ; Victor XU (China) ; YAN Shilin (China) ; YANG Jing (China) ; YING Yefu (China) ; YOON, Dorothy M (Korea); Akira YOSHIDA (Japan); ZENG Lingxin (China); ZHANG Jiaying (Taiwan/China); ZHANG Jiazhen (Taiwan/China); ZHOU Beili (China)
 
Book:
Animamix Biennial 2009-2010
  
Media Sponsorship of MoCA Shanghai:
Vision
Art China
Sohu Culture