Last LRM´s performance is based on the contrast between Machine/ Nature, the Body and the City.
Cogwheel is developed in a temporal continuum in which abstract scenes succeed.
Cogwheel's scenography contains nine screens, three white paper, and six gause (white, green and black), which serve as a scenographic and visual support for projections and video from behind and also for actions
occuring around them.

The LRM equipment includes manyfold visual and sounding instruments, floodlights, props and costumes.
Cogwheel's music is specifically composed by David Aladro-Vico based on contemporary composing techniques, and sounds from custom built musical—visual instruments for live manipulation, analogically and digitally processed, as well as acoustic or vintage such as piano, percussion and woodwinds.
Shrine bells located in front of the paper screens play a principal role in several scenes.

Berta Delgado created images specially fit to the scenography and acting, music and dance, using analog visual techniques such as overhead projections, mirros and epidiascopes, digital video, actions and live painting with traditional techniques, such as water and ink, plus digital graphic controllers.
Both created the performing actions scheme and programmed and created light and costume designs.

The work is complemented with the choreography- a dance performer is accounted into- and is presented together to create a three players' fully interdisciplinary scenic result.
Every scene in Cogwheel has been carefully set out by its authors, although allowing a degree of aleatory performing.

More info:

www.LRM-info.com