Post Pop: East meets West at the Saatchi Gallery

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That riot of colour that, for me, was one of the defining features of Pop Art, seemed to be non-existent, at least in the first room. It was curiously muted, almost as though saturation point had already been reached. The love affair with commodity that Pop Art had exemplified had been stripped down to neutral colours and oversized objects; it had been rendered as something big and ridiculous, as well as bare.

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